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"Are the terms pretty satisfactory?",

A few men were to be seen racing aft, and in a minute or two a squab boat descended from a pair of davits as stout as catheads[Pg 353] with four men in her, two to row, one to bale, and one to steer.,

CHAPTER XXIV BILLY TO THE RESCUE,

"Foller me then, an' remember to keep quiet," cautioned Billy.

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CHAPTER XXII TEACHER JOHNSTON RESIGNS,

"Frank told Mr. Reddick, the preacher who came to bury old Scroggie, all that had passed between him an' the dead man but although they hunted high an' low fer the will, they never found it. Nor did they find any of the money the ol' miser must have left behind—not a solitary cent. That was over a year ago, an' they haven't found money or will yet. But this goes to show what a real feller Frank Stanhope is. He put a fine grave stone up for ol' Scroggie an' had his name engraved on it. Yes he done that, an' all he ever got from the dead man was his curses.,

It was almost dark when he reached the little log sugar-shanty which housed his pets. He had hidden a lantern in a hollow log against such night visits as this and he paused to draw it out and light it before proceeding to the menagerie. As he rounded the shanty, whistling softly, and anticipating how glad Spotba, Moper, the owl, and all the other wild inmates would be to see him, he paused suddenly, and the whistle died on his lips. Somebody had been snooping about his menagerie! The prop had been taken from the door.,

If he doubted her insanity at all his suspicion had no stiffer ground than the shallow sand on which reposed his hope[Pg 327] that she was acting. Throughout this passage he did not think to consider her as the child of a great actress. To him she had always been a gentle, sweet, undemonstrative girl, ingenuous in speech, kind, charitable, beloved by the poor, one whose pursuits were amiable and pure. She was nimble and poetical with her pencil. She sang pretty songs prettily. Her beauty informed with a colour of its own the melodies her fingers evoked from the keys or strings of the instruments she touched. He could not think of her as having the talents of an actress, or even the tastes of one. He had never heard of her taking a part in a performance above a charade. Nothing, therefore, but madness or an extraordinary dramatic genius which it was impossible for him to think of her as possessing, could create those parts which she had enacted before him in a manner so immoderately life-like, so absolutely in unison with what he himself could conceive of the behaviour of madness, that deep in his soul might be found the conviction that she had lost her reason, and that his passionate, unprincipled love was the cause of it.